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Fur, scales, fins, or feathers, everyone has a story!

Breaking the Fast 1

Transcript

Luchette holds a flyer in her hoof that shows a picture of a plate of food and says "Break the Fast with us! Apple Orchard Apts." We see her strolling down the sidewalk in her wheelchair. She glances back at the backpack attached to the back of her chair as a buzzing noise comes from it. She picks up her phone, smiles, and says, "Hey, I'm almost there. I just--" She's interrupted by a voice on the phone that says, "Lu. 'Bout time I got a hold of you." Lu stares back at the phone with dread, holding it away from her slightly, and says, "...How did you get this number?" The voice responds, "Relax. I just wanted to see you again. Make sure you're alright." Luchette glares at the phone and says, "I'm fine! And what makes you think I want to see you again?" To which the voice says, "You always come back when you're ready."

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Lark says…

Lark

He's like a bad penny, this guy… Or more like a bad dollar.

Behind the Scenes

I tried out a new shading technique on this page. Til now I’ve been shading primarily by using the color black, and then turning down the opacity to a desired level of darkness. However, I recently saw this post and decided to try what it suggested, which is basically to use dark colors for shadows, usually a darker hue of the base color. I think it’s probably going a bit far to say one should never shade with black, which is what the post suggests. And I’ve also heard the advice to shade with a color that is the opposite (on the color wheel) to the base color. The takeaway though is that shadows don’t have to be black or gray. Using another color has a noticeable effect on the overall look of the artwork, and in this case I really like it! It makes things look more vibrant, and the shadows are less likely to clash or muddy the colors.

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• Matthew Whiting

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• And those who choose to remain anonymous

Published:  Aug 3, 2021